LINK
Saturday, October 29, 2016
Saturday, October 15, 2016
Friday, October 14, 2016
Thursday, October 13, 2016
Wednesday, October 12, 2016
Monday, October 10, 2016
Friday, October 7, 2016
'In Confidence' @ As It Stands [LOS ANGELES/USA]
[In Confidence]
A group exhibition featuring Manuel Arturo Abreu, Cristine Brache, Devin Kenny, Winslow Laroche, Alec Recinos, and Amalia Ulman:
A pact. A web of trust.
A flexible scheme and a binding
What are you hiding?
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key: confidence
https://encipher.it/
opening reception: October 7, 7-9pm
LINK
A group exhibition featuring Manuel Arturo Abreu, Cristine Brache, Devin Kenny, Winslow Laroche, Alec Recinos, and Amalia Ulman:
A pact. A web of trust.
A flexible scheme and a binding
What are you hiding?
EnCt2b70a15cfe635e33545498ffd5f1028a812c3635bb70a15cfe635e33545498ffdoCpYCU0wyQA
I3LOM6FeCW2t/ugQ2GhA93FCMrhlP89ECG2M/rCccO4B8aVgHa1Eu6J3IkLG5sp9LFZz/5vkv0Se0qXA
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MexII9sX9s6thsFD3LHInVjvATCRoLt+1U2mgDn2VOZWefUXnHIZsTtXQIDI=IwEmS
key: confidence
https://encipher.it/
opening reception: October 7, 7-9pm
LINK
Wednesday Web Artist of the Week: Elizabeth Mputu from ArtSlant [ARTICLE]
by Christian Petersen
Orlando-based Elizabeth Mputu is part of a rising wave of new media artists using digital platforms to express powerful political and social ideas through their work. Her art deals thoughtfully and forcefully with issues of feminism, gender, sexuality, inequality, and race, all projected through the lens of someone who has grown up saturated in all aspects of digital culture.
Mputu’s work combines abstract conceptualism, experimental video, performance, poetry, found digital ephemera, selfies, music (and much more) into defiantly cohesive trains of thought. Although her work is profoundly contemporary it is also increasingly informed by traditional and mystical concepts. Mputu has introduced her personal ancestral history and its healing spirituality into her practice, further reflecting the radical complexity of her thinking.
Mputu’s latest project, Broken Windows, was made for the popular new media art hub NewHive as part of a series exploring privacy, surveillance, and prison reform. Broken Windows is an interactive digital collage which guides us through a potent and personal reflection on a violent police state and the weaponized surveillance of those that live within it.
I spoke to Mputu about this project, the origins of her practice, and the place of spirituality and healing in her work.
Orlando-based Elizabeth Mputu is part of a rising wave of new media artists using digital platforms to express powerful political and social ideas through their work. Her art deals thoughtfully and forcefully with issues of feminism, gender, sexuality, inequality, and race, all projected through the lens of someone who has grown up saturated in all aspects of digital culture.
Mputu’s work combines abstract conceptualism, experimental video, performance, poetry, found digital ephemera, selfies, music (and much more) into defiantly cohesive trains of thought. Although her work is profoundly contemporary it is also increasingly informed by traditional and mystical concepts. Mputu has introduced her personal ancestral history and its healing spirituality into her practice, further reflecting the radical complexity of her thinking.
Mputu’s latest project, Broken Windows, was made for the popular new media art hub NewHive as part of a series exploring privacy, surveillance, and prison reform. Broken Windows is an interactive digital collage which guides us through a potent and personal reflection on a violent police state and the weaponized surveillance of those that live within it.
I spoke to Mputu about this project, the origins of her practice, and the place of spirituality and healing in her work.
'Elephant Memory' Diamond Stingily @ Ramiken Crucible [NYC/USA]
I. How Did He Die, 2016, [8:38 min; dimensions variable]
II. Entryways, 2016, [door with locks, bat, wood, 79 x 41 in; (201 x 104 cm)]
III. Elephant Memory, 2016, [kanekalon hair, steel; 96 x 96 in (244 x 244 cm)]
IV. Installation view
V. Installation view
VI. Double Dutch Rope, 2016 [telephone cord; 80 x 15 x 25 in (203 x 38 x 64 cm)]
LINK
II. Entryways, 2016, [door with locks, bat, wood, 79 x 41 in; (201 x 104 cm)]
III. Elephant Memory, 2016, [kanekalon hair, steel; 96 x 96 in (244 x 244 cm)]
IV. Installation view
V. Installation view
VI. Double Dutch Rope, 2016 [telephone cord; 80 x 15 x 25 in (203 x 38 x 64 cm)]
LINK
Thursday, October 6, 2016
Interview: Kemi Adeyemi And Sidony O’Neal [ARTICLE]
This interview was conducted after TBA:16 Guest Scholar Kemi Adeyemi and Sidony O’Neal sat on the Black Queer Feminist Performance NOW panel during the 2016 TBA Festival. The two had a brain meld and needed more time together. After the interview was conducted, there was still more to be said, so Kemi asked Sidony to annotate the transcript.
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