'Hammerhead', 2016 by Abe Odedina

[acrylic on wood]

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Torey Thornton

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'Empty Wagon Leaving Slave Market', 2016 by Curtis Talwst Santiago

[mixed media diorama in reclaimed jewelry box; 3.625 x 2.125 x 2.125 in (9.2 x 5.4 x 5.4 cm)]

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Zemba Luzamba

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'From Our Hands' Duane Linklater @ Mercer Union [TORONTO/CANADA]

I. through IV. Details of Speculative apparatus 8 for the work of nohkompan
V. Accession [framed digital print, plastic; 10 x 12.25”]
VI. & VII. Duane Linklater with Ethel Linklater and Tobias Linklater, From Our Hands (installation view), 2016
VIII. Duane Linklater, Speculative apparatus for the work of nikosis [concrete, stainless steel, flatscreen television, mac mini; 36 x 16 x 43”], With Origin of the Hero (2016) by Tobias Linklater [stop motion video w/sound; 2min 43sec]

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Émilie Régnier

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'leave soil behind the ear - for aa', 2015 by

[hand woven and sewn fabric, cotton dyed with wine and commercial dyes, nylon, and acrylic yarn & spray paint; 48 × 33 in, 121.9 × 83.8 cm]

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'Ayatul Kursi 2', 2015 by Igshaan Adams

[woven nylon rope, string-beaded necklaces and string; 90 3/5 × 70 9/10 in, 230 × 180 cm]

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Kimiyo Mishima

[ceramic]

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'Still Space', 2011 by Kishio Suga 菅木志雄

[acrylic, stone, wood; 13 7/10 × 4 9/10 × 4 7/10 in, 34.8 × 12.5 × 12 cm]

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Sebastião Salgado

[2005; gelatin silver print]

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Etel Adnan

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Rashed Al Shashai

I. Delicious, 2015 [four Islamic Carpets rolled and cut; 19 7/10 × 78 7/10 × 59 1/10 in, 50 × 200 × 150 cm]
II. Beep Beep, 2015 [Light Box covered wth black acrylic; 89 × 47 1/5 in, 226 × 120 cm, edition of 5]

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'Recurrence', 2015 by Kim Tschang Yeul

[acrylic and oil on canvas; 51 3/10 × 63 9/10 in, 130.3 × 162.2 cm]

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Hulda Guzmán

I. The kiss, 2016 [acrylic on canvas; 43 × 60 in]
II. Alfombra de tigre, 2016 [acrylic on plywood; 40 × 65 in]

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'Orillas 3', 2016 by Paula De Solminihac

[ceramica; 32 1/10 × 20 1/2 × 3 3/10 in]

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'Taraneh', 2016 by Sheida Soleimani

[archival pigment print on cotton; unique]

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'NOT YET SEEN' Arnold Joseph Kemp @ Cherry | Lucic [PORTLAND/USA]

Arnold Joseph Kemp lives and works in Chicago, IL. Kemp is an alumnus of Stanford University and has shown at the Drawing Center in NYC, The Studio Museum in Harlem, The Berkeley Art Museum, The National Art Gallery of the Bahamas, Mu.Zee (Belgium), The Portland Institute for Contemporary Art, The Wattis Institute, HilgerBROTKunsthalle (Austria), Adams and Ollman, ROXBOXCONTEMPORARYFINEART, Disjecta, and the Luggage Store/509 Cultural Center. His last solo exhibition HEADLESS was at Soloway in Brooklyn, NY in 2015. He has recently performed at the San Francisco Art Institute, the San Francisco Museum of Modern Art and the Banff Center (Canada). Kemp is a Guggenheim Fellow in Visual Arts (2012) and is the Dean of Graduate Studies at the School of the Art Institute of Chicago. Arnold J. Kemp is represented by PDX Contemporary, Portland, Oregon.

www. a-j-kemp.com

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I. NILE OBLITERATION, 2016 [chain, packaged sea sponges and water; 9’ x 6” x 3”]
II. & III. HEADLESS AND SEATED, 2016 [spray painted lemons on Maple veneer; 32” x 27” x 18”]

IV. SLOW SEASON RITUAL DRAWINGS, 2016 [artist’s custom watercolor with photocopy on paper in artist’s frames, 13 ¼” x 10 ¾ "]

V. Exhibition view