LINK
Saturday, March 12, 2016
Travis Davids
[A character I created called Nyoni Ndolvu from Bloemfontein, South Africa. She’s fluent in Afrikaans and has one hell of a foul mouth. This dual wielding shotgun assassin is somebody you probably don’t want to mess with.
I created this image while taking Maciej’s course at Learn Squared and got my ass kicked multiple times, every day. It was brutal and i’m still not sure how i feel about this final image but at least i can take away a lot of knowledge from the course and apply it again when i try something new. A combination of workflows from multiple programs. I used Fusion 360 for the helmet and shotgun. Some marvelous Designer and Zbrush as well. Not as kickass as the other students work but i tried and i’m focusing on trying to get better.]
LINK
I created this image while taking Maciej’s course at Learn Squared and got my ass kicked multiple times, every day. It was brutal and i’m still not sure how i feel about this final image but at least i can take away a lot of knowledge from the course and apply it again when i try something new. A combination of workflows from multiple programs. I used Fusion 360 for the helmet and shotgun. Some marvelous Designer and Zbrush as well. Not as kickass as the other students work but i tried and i’m focusing on trying to get better.]
LINK
Thursday, March 10, 2016
Wednesday, March 9, 2016
'Bodybuilding', 2015 by Hannah Black
[digital video, 8:10; edition 1 of 3 and 2 AP; Commissioned by Yarat Contemporary Art Center, Baku, Azerbaijan]
LINK
LINK
'Bone Dry' Stephanie Hier & Larissa Lockshin @ Three Four Three Four [NYC/USA]
I. Stephanie Hier, Fingerprints, 2016 [oil on canvas with glazed earthenware frame; 12.5 x 11 inches] & Etude in E, Op. 10 No 3, 2016 [oil on canvas with glazed earthenware frame; 12 x 10 inches]
II. Larissa Lockshin, Untitled (Fig I), 2016 [glazed stoneware, moonstone, mother of pearl,
citrine, lapis, moss agate, enamel, velvet; 12 x 12 x 6 inches; unique]
III. Larissa Lockshin, Untitled (Fig II), 2016 [glazed stoneware, pink stone, burgundy agate, yellow stone, citrine, mother of pearl, enamel, velvet; 12 x 10 x 5 inches, unique]
IV. Larissa Lockshin, Untitled (Fig III), 2016 [glazed stoneware, salmon jade, olive jade,
citrine, garnet, velvet; 10 x 11 x 5 inches, unique]
V. Larissa Lockshin, Untitled (Release the Hounds), 2016 [glazed stoneware; 9 x 12 inches]
VI. Stephanie Hier, The Inspector, 2016 [oil and pencil crayon on canvas in glazed earthenware frame; 12 x 10 inches]
VII. Larissa Lockshin, Untitled (Stove), 2016 [glazed stoneware; 9 x 11 inches]
VIII. Larissa Lockshin, Untitled (Fukushima Daisies), 2016 [glazed stoneware; 10 x 12 inches]
IX. Stephanie Hier, Pot and Flower Study IV, 2015 [glazed earthenware panel; 6 x 6 inches]
X. Larissa Lockshin, Untitled, 2016 [blown and frosted glass, cornflowers, rose and bergamot oils, orris root powder; dimensions variable]
XI. Installation view
XII. Installation view
XIII. Installation view
Tuesday, March 8, 2016
Artist Conversation: Martin Puryear and Theaster Gates
[on February 4, 2016, acclaimed sculptors Martin Puryear and Theaster Gates discussed their respective artistic processes and practices, their shared commitment to craft and the handmade, and their use of multiple materials like wood and ceramics. Presented with the Leadership Advisory Committee; 56:24]
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