Brianna Rose Brooks

[oil and acrylic on canvas; 2016, 30 x 40 inches]

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'Farm House', 2003 by Mary Lee Bendolph

[quilted fabric; 80 x 83 inches]

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Loretta Bennett

I. Lazy Gal, 2017 [quilted fabric; 82 x 84 inches]
II. Crown Royal, 2017 [quilted fabric; 70 x 67 inches]

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'Hope', 2009 by Qunnie Pettway

[quilted fabric; 88 x 74 inches]

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'Flani foto', 2002 by Souleymane Diarra

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Kenny Dunkan

[wood & metal]

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Emmanuel Botalatala

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'Los pies del hombre se hundieron en la arena dejando una huella sin forma, como si fuera la pezuna de un animal', 2017 by Rodrigo Hernandez

[oil on wood; 7 7/8 x 11 7/8 inches (20 x 30 cm)]

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'Aleeyah or Repatriation for Hypervisibility', 2016 by Hamishi Farah

[acrylic on canvas; 72.45 x 48 in / 184 x 122 cm]

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Héctor Zamora

I. Ordem e Progresso, 2017, 30 pairs of gloves, Variable dimensions
II.  Da séerie Ordem e Progresso, 2017, Inkjet print, 47.24 x 70.86 in

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'Pedestal', 2017 by Pope L.

[acrylic paint, drain, ELKAY drinking fountain #EFA201F, hardware, hole, photo timer, plastic pail, plastic sheeting, solenoid, tape, tubing + wood]

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'There Is No Killing What Can’t Be Killed', 2012 by Huma Bhabha

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Enrique Polanco

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'Duck duck deuce 2', 2017 by Janiva Ellis

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'Still-life With Wedding Portrait', 2015 by Kerry James Marshall

[acrylic on PVC panel; 60 x 48 in.]

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'Three Towers', 2000 by Therman Statom

[mixed media; 23 x 15 x 14 in.]

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'Stone Thrower', 2007 by Farhad Moshiri

[textured acrylic on canvas mounted on board; 8.4 x 6.1 feet]

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'Untitled, from Them as a Fountain', 2003 by Alexander Apóstol

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‘Svara-1’, 2004 by Hung Tung-Lu

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(Untitled) Basketball Drawing', 2006 by David Hammons

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